This adaptation of Katherine Boo's novel by David Hare is yet another example of how Hytner has succeeded in creating a truly 'National' Theatre. Yes, this isn't the best work from the National and has flaws but attention needs to be shined on the example this institution has set in having a diverse programme in order to attract a diverse audiences without sticking with the safe bets which attract the easy audiences. To this, I salute the National for being a shining example for British theatre to follow.
However, I can't say that the play about Indian slums is particularly convincing. David Hare has created a sense, heavy play which is difficult to like in the same way as Dara does. This is not helped either by the enormity of the Olivier which needs a sensitive script to create connection between character and audience. Despite this, I still feel that it is a good show. It is promising to see Rufus Norris direct so well in his last production before taking up the position of Artistic Director here. Meera Syal leads a marvellous cast, many of whom are in rep and also performing in Dara at the Lyttellton. The set, also, is magnificently designed by Katrina Lindsay, managing to inhabit both a bustling, vast city to a cramped street of slums. There is plenty to be interested in and, with a little bit of work, this award winning book can be transformed into an award winning play.
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