Henry IV Part 1, Barbican Centre ***

The Company of Henry IV part 1

 After being left disappointed by Gregory Doran's take on part 2 of the Bard's play, when I got a day ticket to the first part, my expectations were low. Luckily, the Henry IV part 1 is substantially better then part 2. As it is, in my opinion, Shakespeare's best play, it would have taken a truly terrible performance to put me off liking it. There are still the problems that were present in Stratford. I still found Sher's Falstaff to be too smug and dis-likeable for me and the production feels a bit too safe. However, the jokes still made me chuckle even if they were not as big as the Globe's laughs, and the battle is very effective. One thing I noticed as well was Englishby's score which is superb, with the main theme 'Urbs Beatta Jerusalem' sending shivers up my spine. Whilst this is far from perfection, it is quite a bit better than it's second part.

Henry IV, Donmar Warehouse ****

The cast of Henry IV at the Donmar Warehouse

The Donmar is undoubtedly the most exiting space in British theatre and all the productions I have seen there have been ambitious, with varying levels of success. Therefore, it is no surprise that Henry IV could not be just played as Henry IV. The result, admittedly not instantly lovable, is a great success. I had not seen Julius Caesar so the prison setting was totally new to me. It set the atmosphere in a way that no other play I've seen has done, with the possible exception of Dominic Dromgoole's plays at the Globe.The part of the play itself is the fact that they develop the lives of the inmate's characters as well as the character's they play. It is set up as a play within a play, with these female convicts putting on a production of Henry IV. The cuts are extensive, with a 6 hours of material cut  into a 2 hour show without an interval. Therefore, most of part 2 is cut in order to cut back to the main story line of choosing between two father figures. It also diverts away from the play,with a last scene which made me cry. Ashley Mcguire's Falstaff, whilst not particularly funny, is a character for whom more pathos can be felt. Erivo as Poins and Douglas is also a notable performance from a truly great actress. The other actors are also fantastic.The Donmar also seem to have prioritized experience over fame, with theatre- virgin Sharon Mooney being given one of the less substantial roles despite being one of the most recognizable faces in the cast. It also good to have normal women playing the roles instead of the 'perfect', idealised woman which is so often the case. For me, this love letter to feminism has met my expectations of what a good Shakespeare play is like, and far exceeded them.

Henry IV Part II, Royal Shakespeare Theatre **

The cast of Henry IV  Part II

Photo by Kwame Lestrade

As I had a week in Stratford, it seemed a good idea to finish what I started at the Globe by seeing part 2 of the Henry IV saga. After the production, everyone was entusiastic about it over different points. My moother was suprised she  could understand the soliloquies; my uncle was impressed by the costumes and my cousin's favorite scene was  Hal and Poins or 'those fit guys' took their tops off. It just shows how Shakespeare can appeal to anyone. For me, whilst this production does not have the life of the Globe production, with Allam giving a better Falstaff than Sher's, it does keep the attention of the audience during the more serious scenes such as the decline of Britton's king which is performed superbly. However, what impressed me most was the set. It is basic with a crack down the middle to emphasise the crack in the kingdom and the rebellion. The main thing that annoyed me was the start where the chorus, Rumour, is in modern day clothes whilst the rest of the show is in period costume! It also gives the programme producers the most contrived piece in a programme that I have ever seen. Overall, this performance has as many things to be enjoyed as to dislike meaning that it never paricularly impressed me. This is not the show to see for a first RSC performance.