Cecilia Bartoli and Rolando Villazon, Barbican ****
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Classical superstars Bartoli and Villazon have graced the Barbican with an evening of Classical and bel canto arias, duets, and excerpts. Supported by the excellent Orchestra La Scintilla of the Zurich Opera, the pair bring joy and energy. Rolando Villazon may not be the most able of tenors, even without the cold he had on this evening which haltered his head voice and passagio, yet he is certainly the most energetic and lively tenor, with a likability that makes his documentaries so compelling. Cecillia Bartoli without doubt is one of the greatest mezzos and also has a charm and a rapport with Rolando that is just wonderful to see. The evening's programme tackled lovein all its forms from unrequited to requited to tragic. Whilst Villazon's arias were damaged because of his cold, he still brought the energy and passion which made them easy to listen to. Bartoli had no illness so soared through the evening, seeing off difficult Rossini arias as if they were 'twinkle, twinkle, little star'. The finale of Otello was moving and perfect. Rossini writes the final scene better than Shakespeare, making Desdemona a far stronger mezzo and the end is far grittier and less romanticised than in the play so, whilst there were some lighting effects which were unneccesary, the performance of this scene was spellbinding from both of them. This was certainly an evening which deserved the three encores this duo received.
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